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$15.96The Story
Yojimbo:
Like SEVEN SAMURAI (1954), YOJIMBO (1961) was Akira Kurosawa’s tribute to the widescreen action Westerns of John Ford and was itself remade as a Western by Sergio Leone as A Fistful of Dollars (1964).
Played by the great Toshiro Mifune, the film’s enigmatic samurai is a scruffy and itinerant warrior who wanders into a strange town and right into the middle of a war between two clans. Showing his skills with the sword within minutes of his arrival, he soon has the town’s rival factions competing for his services.
Sanjuro
In response to the huge critical and commercial success of Yojimbo, Kurosawa and Mifune re-teamed a year later to make SANJURO (1962), a hilarious comedy of manners altogether more light-hearted than its predecessor. The story has Sanjuro (Mifune) running lazy rings around nine naïve and clean-cut samurai and two genteel ladies, whilst also cleaning up a spot of corruption in local government.
Whilst Kurosawa plays most of it for laughs, expertly parodying the conventions of Japanese period action films, he stages a startling switch of mood with an intense finale which may well be the briefest, and most breathtaking duel in all cinema.
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Description
Yojimbo:
Like SEVEN SAMURAI (1954), YOJIMBO (1961) was Akira Kurosawa’s tribute to the widescreen action Westerns of John Ford and was itself remade as a Western by Sergio Leone as A Fistful of Dollars (1964).
Played by the great Toshiro Mifune, the film’s enigmatic samurai is a scruffy and itinerant warrior who wanders into a strange town and right into the middle of a war between two clans. Showing his skills with the sword within minutes of his arrival, he soon has the town’s rival factions competing for his services.
Sanjuro
In response to the huge critical and commercial success of Yojimbo, Kurosawa and Mifune re-teamed a year later to make SANJURO (1962), a hilarious comedy of manners altogether more light-hearted than its predecessor. The story has Sanjuro (Mifune) running lazy rings around nine naïve and clean-cut samurai and two genteel ladies, whilst also cleaning up a spot of corruption in local government.
Whilst Kurosawa plays most of it for laughs, expertly parodying the conventions of Japanese period action films, he stages a startling switch of mood with an intense finale which may well be the briefest, and most breathtaking duel in all cinema.
