The Story
Debut feature of director Kaizo Hayashi (MAIKU HAMA TRILOGY), TO SLEEP SO AS TO DREAM (1986) is a dreamlike homage to the cinema of the 1910s and 1950s.
Two private detectives hunt for an actress trapped within the reel of a silent ninja film.
When private eye Uotsuka (Shiro Sano, VIOLENT COP, SHIN GODZILLA) and his sidekick Kobayashi are approached by an aged former actress, Madame Cherry Blossom, to go in search of her kidnapped daughter Bellflower, their investigations lead them to the studios of the mysterious M. Pathe company.
Here Uotsuka has a strange vision in which he comes face to face with the beautiful star of a 1915 chanbara film that appears to have no ending. From then on, things begin to get a little strange…
Among the most impressive and critically regarded Japanese films of the 1980s, TO SLEEP SO AS TO DREAM finally makes its home-video debut outside of Japan in a brand new restoration supervised by the director himself.
Drifting between illusion and allusion, it is chockfull of references to Japan's rich cinematic heritage and features cameos from a host of veteran talent and baroque sets created by Takeo Kimura, the Nikkatsu art designer fondly remembered for his flamboyant work with Seijun Suzuki in the 1960s.
Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.
Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.
Description
Debut feature of director Kaizo Hayashi (MAIKU HAMA TRILOGY), TO SLEEP SO AS TO DREAM (1986) is a dreamlike homage to the cinema of the 1910s and 1950s.
Two private detectives hunt for an actress trapped within the reel of a silent ninja film.
When private eye Uotsuka (Shiro Sano, VIOLENT COP, SHIN GODZILLA) and his sidekick Kobayashi are approached by an aged former actress, Madame Cherry Blossom, to go in search of her kidnapped daughter Bellflower, their investigations lead them to the studios of the mysterious M. Pathe company.
Here Uotsuka has a strange vision in which he comes face to face with the beautiful star of a 1915 chanbara film that appears to have no ending. From then on, things begin to get a little strange…
Among the most impressive and critically regarded Japanese films of the 1980s, TO SLEEP SO AS TO DREAM finally makes its home-video debut outside of Japan in a brand new restoration supervised by the director himself.
Drifting between illusion and allusion, it is chockfull of references to Japan's rich cinematic heritage and features cameos from a host of veteran talent and baroque sets created by Takeo Kimura, the Nikkatsu art designer fondly remembered for his flamboyant work with Seijun Suzuki in the 1960s.
